When you add the ‘break-out’ class to an image, you can expand it beyond the edges of the main content.
“Do you know what’s over there?” I said, pointing at the pine tops that hid the Martians.
“Eh?” said he, turning. “I was explainin’ these is vallyble.”
“Death!” I shouted. “Death is coming! Death!” and leaving him to digest that if he could, I hurried on after the artillery-man. At the corner I looked back. The soldier had left him, and he was still standing by his box, with the pots of orchids on the lid of it, and staring vaguely over the trees.
No one in Weybridge could tell us where the headquarters were established; the whole place was in such confusion as I had never seen in any town before. Carts, carriages everywhere, the most astonishing miscellany of conveyances and horseflesh. The respectable inhabitants of the place, men in golf and boating costumes, wives prettily dressed, were packing, river-side loafers energetically helping, children excited, and, for the most part, highly delighted at this astonishing variation of their Sunday experiences. In the midst of it all the worthy vicar was very pluckily holding an early celebration, and his bell was jangling out above the excitement.
The above image uses the 'break-out' class.
I and the artilleryman, seated on the step of the drinking fountain, made a very passable meal upon what we had brought with us. Patrols of soldiers–here no longer hussars, but grenadiers in white–were warning people to move now or to take refuge in their cellars as soon as the firing began. We saw as we crossed the railway bridge that a growing crowd of people had assembled in and about the railway station, and the swarming platform was piled with boxes and packages. The ordinary traffic had been stopped, I believe, in order to allow of the passage of troops and guns to Chertsey, and I have heard since that a savage struggle occurred for places in the special trains that were put on at a later hour.